Bewitched season 2

For many of us who grew up in the '60s, Bewitched was a fascination bordering on an obsession. For years after it went off the air, if I was sick with a cold or flu and getting out of bed was a struggle, I would wave my arm to see if I could get the book across the room to fly over to me. I believe that's Einstein's definition of insanity.

The effect of Bewitched on pop-culture sensibilities can't be overstated; when it premiered in September, 1964, it quickly became ABC's biggest hit series to date. I'd be remiss, in discussing the series, if I didn't start by singling out writer-producer Danny Arnold, who (Sol Saks' onscreen credit to the contrary) pretty much created Bewitched and masterminded its first season. Arnold viewed Bewitched as a romantic comedy (its antecedents were clearly the screwballs of the '30s) about a man and a woman from different backgrounds: a "mixed marriage," as it were. He was Darrin Stephens, an up-and-coming advertising executive; she was Samantha -- and she was a witch. Fantasy sitcoms ruled the airwaves in the '60s, but Bewitched, as originally conceived, was no Mister Ed or The Flying Nun-type kiddie show. The witchcraft was used sparingly; mostly it allowed Arnold to imbue a familiar premise (the trials of a young married couple) with fresh details.

The 10 Best "Murder, She Wrote" Mysteries

This is a post I've been wanting to do for a while, as a fan of Murder, She Wrote for all twelve seasons. In my write-up of Cold Case Season 4, I noted my love of classic detective novels; I included the short-lived TV series Ellery Queen in My Top-Ten One-Season Wonders because, despite any reservations I had about the production design and acting style, the mysteries were mostly top-notch. So I thought I'd take a look at Murder, She Wrote and figure out which were the best fair-play whodunnits. Not (necessarily) the best episodes -- the strongest showcases for Angela Lansbury, or the scripts that allowed for the most star-studded casts, or even the episodes that were most engaging in their own right -- but the ones that best upheld the Ten Commandments of Detective Fiction as put forth by Ronald Knox in 1929. Mysteries where clues are dropped regularly (although frequently in such a clever manner that the untrained eye might miss or misinterpret them), permitting the sharp reader (or in this case, viewer) to potentially solve the crime ahead of the detective. And although I'm focusing on the puzzle design, I'm also considering its execution -- in particular, how well the characters are delineated and portrayed; after all, if the blueprint is impressive, but it's never properly fleshed out and brought to life, how engrossing is the mystery going to be?