Showing posts with label Mike and Molly. Show all posts
Showing posts with label Mike and Molly. Show all posts

Tuesday, January 10, 2017

Till We Are Asked to Rise: 2016 in review

My annual year in review. 2013 found me enthralled by Elementary and The Killing, puzzling over some of CBS's scheduling moves, and taking a nostalgic tour of Vermont with a Newhart rewatch. In 2014, I savored Grantchester and Peter Capaldi's first season of Doctor Who, and binged the works of Stephen Poliakoff and Richard Armitage. Last year, I took on everything from The Mentalist to The Man in the High Castle, from Crazy Ex-Girlfriend to Limitless to Gypsy. As in earlier posts, I do not purport to have watched every great show on television this past year; this is not a "best of 2016" list. These are simply the shows I watched, the trends I noted, the risks I respected, and the mistakes I lamented.

Looking over my 2016 blog entries, I see that I hardly wrote about any series that are currently airing. I wrote nostalgia pieces: three about Knots Landing, three about classic Doctor Who. Early in the year, I penned an appreciation of Mike & Molly, which was wrapping up its six-season run (splendidly), and a farewell to The Flash and Arrow, which weren't wrapping up their runs, but which had driven me away. Was my ignoring the current crop of shows a mark of how little they were firing my imagination, or was I so overwhelmed by all the solid series airing that I didn't want to take time away to write them up? Was 2016 a good year or a bad one?

I'm still not sure.

Sunday, February 7, 2016

Mike & Molly: an appreciation

A friend and I like to poke fun at folks who issue hyperbolic statements about their favorite TV shows, because -- well, because we're a little mean. But you know how it is when fans post about shows they love. If a favorite character is leaving, it's "I'll never watch another episode." If the show is prematurely cancelled: "I'm boycotting the network." And heaven forbid, if a long-running show leaves of its own volition: "I no longer have a reason to own a TV." So given my aversion to over-the-top pronouncements, this is not an easy admission to make: when Mike & Molly concludes its six-season run this spring, my world will be a lot less bright.

Thursday, January 15, 2015

Vicar-ious Thrills: 2014 in review

Last spring, CBS and I had an ugly break-up. You probably read about it; it made all the tabloids. First I grew disillusioned with Survivor, and quit watching after 14 years; at Entertainment Weekly, Dalton Ross called it the best cast of all-new players since the first season, but I found most of them clueless and/or odious, and where's the fun in that? (If it's clueless and odious I'm after, I'll turn on truTV.) Then Jeanne Tripplehorn was written off Criminal Minds, only to be replaced by the less talented -- but younger-skewing -- Jennifer Love Hewitt; no reason was given for Tripplehorn's departure, but her air time been shrinking for months, so you had to figure it was a network decision, dictated by the almighty demo dollar. And finally, CBS announced they were again holding Mike & Molly till midseason. You know, a loyal viewer can only take so much.

Sunday, January 5, 2014

No Place Like Holmes: 2013 in review

FX reran my favorite Buffy episode the other morning, "No Place Like Home," and I had one of those "boy, remember when TV was good?" moments. And I suppose TV still is good, or I wouldn't be bothering with this blog, and perhaps as some say, it's better than ever, but man, there's so much about the current TV landscape that I don't understand.

the CBS implosion: The Good Wife, The Mentalist