The 10 Best “Mary Tyler Moore Show” Episodes

This entry began as The Mary Tyler Moore Show Season 3, but honestly, I’ve written so many long essays lately, I needed a change of pace, and an old-fashioned 10-best list — drawn from the entire seven-season run — seemed like a good solution. What distinguishes this “best of MTM” list from all the others? Well, first of all, I’ve been watching the series since it originally aired. Second, I couldn’t settle on ten favorites, but I could settle on twenty, so after each episode, I’m offering up another that I love — so consider this sort of a “two for the price of one” sale. Third, as is my wont, I’m going to focus a lot on the intent behind — and development of — the episodes themselves (and how they reflect the seasons in which they aired). And finally, it’s the only Mary Tyler Moore Show list that won’t be counting down to “Chuckles Bites the Dust.”

Doctor Who: the companions' best and worst performances

In an essay in the summer of 2018, I looked at the actors who've played the title role in Doctor Who, and judged their best and worst performances. I thought I'd do the same for the companions. Doctor Who has, by and large, been blessed with such extraordinary actors as companions that it's easy to take their work for granted -- to presume their performances are uniformly strong. But actors, like the rest of us, have good days and bad days, and in the case of Doctor Who, there are all kinds of factors that can contribute to the quality of a performance -- just as there are all kinds of criteria I have for judging them. A few words in advance. I'm only considering companions who stuck around for more than two full-length stories, and I’m not including the threesome traveling with the current Doctor, as they’re only partway through their journey. And just to mix it up, I'm listing the companions alphabetically — so get ready to bounce around the decades. (As in my essay about the Doctors, I've bolded the stories that contain the companions’ best and worst work, but I vary the order in which I present them. Sometimes, I list the good before the bad, sometimes vice versa; if you only look at the titles bolded, you might be surprised, when you read the text, to discover which is which.)

Voyager season 4

I’d never seen an episode of Star Trek — in any of its incarnations — before last spring. At that time, BBC America typically ran eight-hour marathons of The Next Generation on weekdays, and after breakfast, my customary routine was to turn the living room TV to BBC America and hit “mute.” My husband and I — who work from home — knew that if we had to run errands suddenly, we could simply unmute the TV, and the puppy would be well cared for while we were gone. The little we knew of The Next Generation suggested that there’d be a steady stream of chatter and background music that would block out the street noise, and that it was unlikely to contain any of the sounds (thunderclaps, gunshots, fireworks) that tended to frighten him.

That was what I knew of Star Trek: it was a great dog sitter.

Doctor Who: "The Abominable Snowmen"

When I did my Classic Who countdown in the summer of 2017, I noted that many of my favorite stories remain missing. And I quoted a Whovian who had recently dismissed the lost serials by insisting, "There's no way of knowing what they're really like." Of course there is, I argued. If the surviving audio is engrossing, if the telesnaps and production photographs reveal a credible design, if the director's talents are well-established or the dialogue feels well-played and well-paced (suggesting he had a good grip on the material), then the reconstructions tell you most of what you need to know. Since I started watching Doctor Who, quite a few missing episodes have been unearthed, and not once has a discovery made me radically rethink my impression of a serial. My favorite Cybermen story, my two favorite Dalek stories, and my four favorite historicals are partially or fully missing. Let's pray they're someday recovered, but in the meantime, the lack of video footage doesn't impair my enjoyment. So in that spirit, I thought I’d delve into three of my favorite “lost serials” (three that, to my mind, don’t get the attention that they deserve), starting here.

Crime Pays: The Best of 2018

My annual TV year-in-review, the key difference this year being that the essay is ten months late. But truth be told, when I finished my final Knots Landing essay in July of 2018, I felt perhaps it was time to lay this blog to rest. Maybe I’d said everything I needed to say. I’d written up all fourteen seasons of my favorite series, and the other show that had most inspired me — Doctor Who — had fallen into a creative black hole that rather dampened my desire to discuss it. But recently I was moved to start writing again, and came across a list I had meant to publish last January, of the series I’d most enjoyed in 2018. So I’ve written it up. As always, this is not the sort of “best of” list proffered by formal TV critics, who have to watch (and have access to) every quality show they hear about; I never purport to have “watched everything.” These are simply the shows I saw that I loved the most. As always, they’re a pretty eclectic bunch. And happily, since time isn’t a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint, more like a big ball of wibbly-wobbly, timey-wimey stuff, all eleven series are still available for streaming, ten months later.

But first, a warning:

My Top-Ten One-Season Wonders (part 4)

The final installment of a four-part series, this latest set constitutes #15-20 of my “top-10” one-season wonders: a numerical oxymoron that only makes sense if you’re counting in the vigesimal numeric system — or if you know my aversion to rules and common sense. As I noted in Part 3, I published my top 10 back in 2016, but so many late, lamented series have since reemerged on YouTube, Daily Motion, DVD and streaming channels that I decided the initial list was worth expanding. So here are my final five series — spanning more than 50 years — that vanished much too quickly.

Doctor Who: in defense of "The Leisure Hive"

A set of seven underrated Classic Who serials that I consider worth revisiting, one for each Doctor. The series commences with "Terminus," then continues with "The Ark," "Delta and the Bannermen," "Death to the Daleks", "The Wheel in Space" and "Attack of the Cybermen."

The last of my seven “neglected or maligned” Classic Who serials, perhaps “The Leisure Hive” is the least likely entry. When its author David Fisher died in January of 2018, most fans hailed “Androids of Tara” or “Stones of Blood” as their favorite of his Who stories, but I saw quite a few single out “Leisure Hive.” And when the serial’s director Lovett Bickford passed away six months later, there were polls asking folks how they felt about his “Leisure Hive” helming (the serial went wildly overbudget, and Who producer John Nathan-Turner never asked Bickford back), and most thought quite highly of it. So I couldn’t argue that “Leisure Hive” is a maligned serial. But neglected? Yeah, I think so. I suspect if fans were asked to name their favorite Tom Baker stories, “Leisure Hive” wouldn’t make a lot of top-10 lists, but when I did my Classic Who countdown in the summer of 2018, “Leisure Hive” was my sixth favorite Fourth Doctor serial. It’s easily my favorite story of Season 18, and sits comfortably among my top-30 serials in the entire Classic Who canon.

How many fans would say that?

Knots Landing season 5

Knots Landing Season 4 was a transitional year, in which the tone was heightened and the format broadened, but the story-lines themselves -- Karen's romance with the local DA, Val and Gary's tumultuous divorce, Richard's failed restaurant venture, Kenny's quest for a hit album -- remained as comfortably middle-class as ever. Season 5 serves up the last piece of the puzzle -- the enlarging of the situations -- required to bring the series closer in content to the other, higher-rated primetime soaps. But Knots never loses its identity or its way; on the contrary, the result is the series' most exhilarating and satisfying season.

Doctor Who: the Doctors' best and worst performances

When I published my Classic Who countdown last summer, serving up capsule reviews of all 158 classic serials (from my least-liked to my most-loved), friends asked if I had plans to do the same for NuWho. "God, no," I responded -- but I did want to start branching into more NuWho essays, or at least essays that embrace the entire history of the series, from 1963 to the present. And I knew where I wanted to start: with the actors who've played the Doctor, and taking a hard look at their best and worst performances in the role -- the times when they especially shined, and the times when they notably did not. The truth is, Doctor Who has, by and large, been blessed with such extraordinary actors in the title role that it's easy to take their work for granted -- to presume their performances are uniformly strong, and not focus in on the highs and the lows. But actors, like the rest of us, have good days and bad days, and in the case of Doctor Who, there are all kinds of factors that can contribute to the quality of a performance -- just as there are all kinds of criteria I have for judging them. So below, the eleven actors who've essayed the title role (excluding the Eighth Doctor, who had only one full-length appearance), and what I'd consider their best and worst performances -- and why. (In the paragraphs below, I've bolded the stories that contain their best and worst work, but I vary the order in which I present them. Sometimes, I list the good before the bad, sometimes vice versa; if you only look at the titles bolded, you might be surprised, when you ultimately read the text, to discover which is which.)

Knots Landing season 12

The first half of Knots Landing Season 12 is a shot of pure adrenaline. The rest is what happens once the rush wears off.

In my essay on Season 10, I noted that Lechowick and Latham -- the series' longest serving, but most erratic headwriters -- never seemed to be able to sustain excellence for more than twenty episodes at a time. Season 9 starts strong, as the show gets back to basics after a couple of unrecognizable years -- then the mobsters move in, and the younger cast members migrate to Santa Tecla, and things start to fall apart. Season 10 extends the Jill-Val story-line for nineteen impressive episodes -- quite a feat -- but then we get Mack and Paula, and Sally's friend, and a few other misfires that threaten to drag the season down. And finally there's the team's last gasp of greatness, a string of 22 episodes cutting across two seasons. It begins when former story editor Dianne Messina returns to the fold twenty episodes into Season 11 to carry out a late-season overhaul alongside Lechowick, Latham and (her eventual husband) James Stanley. The foursome manage a successful course correction, and their energy and creativity continue a dozen episodes into Season 12. And then -- as ever -- it all goes to pot: this time not because of a lack of ideas, but because of a distressing lack of attention from the four writers, who were consumed with readying their new ABC period soap Homefront.