Showing posts with label Ann Marcus. Show all posts
Showing posts with label Ann Marcus. Show all posts

Tuesday, October 24, 2017

Knots Landing season 13

By the late '80s, my passion for Knots Landing had become more like an obsession. I wasn't just watching it live and taping it to VCR in case I wanted to have another look (which I invariably did); I was watching it live and taping it to two VCR's, in case one broke down. I couldn't imagine a fate worse than missing an episode of Knots.

Then Season 13 rolled around, and within a few weeks, I stopped taping it to two VCR's. Was it even necessary to tape it to one? I remember being rather shocked at how quickly my devotion faded into disinterest. It's not like Knots hadn't gone through rough spells; I mean, even then, as I looked back at the history of the show, I was able to spot a half-dozen dry patches -- some of them bone dry. But there had never been anything like the first fifteen episodes of Season 13: a perfect storm of mediocrity. New writers, none with soap experience, let alone an understanding of these particular characters -- and an outgoing team who had left them with nothing to work from, merely a set of unpromising cliffhangers and compromised characters.

Wednesday, November 25, 2015

Knots Landing season 14

The great soap writer Ann Marcus was first brought aboard Knots Landing in 1981, to shore up the series after a shaky Season 2, and here's what she gave us in Season 3: Karen (Michele Lee, Emmy-nominated that season) coped with the death of her husband Sid; Abby, the vixen (Donna Mills), inserted herself into Val and Gary's marriage (that would be Joan Van Ark and Ted Shackelford); and long-suffering Laura, who'd left her jerk of a husband Richard, decided to return to him out of guilt and obligation.

With the series finally on firm footing, Marcus departed at the end of Season 3, and here's what happened over the following ten seasons, in 300 words or less:

Thursday, October 11, 2012

Knots Landing season 3

I had occasion to rewatch Knots Landing Season 3 over the summer, and when I was done, I thought of the film The Way We Were, with Barbra Streisand and Robert Redford. Not of the actual film, but of Pauline Kael's original review in The New Yorker, where she referred to it as "a torpedoed ship full of gaping holes which comes snugly into port." I don't think I could imagine a better description of Knots Landing Season 3. It's a fascinating season: the only one that I enjoy much more today than I did when it originally aired. In 1981-82, its unusual device of using standalone episodes to advance serialized story-lines felt disorienting and at times frustrating; now, knowing what to expect, I can look beyond it and see that Knots Landing both began and ended with that season. It's the season where the show finds its voice and its pacing; it's also the last season of the original format, a series powered by the claustrophobic energy of a cul-de-sac.