Trials & Tribulations: The Best of 2020

My write-up of 2020, following 2013, 2014, 2015, 2016, 2017, 2018 and 2019. As always, I don't claim to have seen everything. I watch what I can, when I can, and of what I saw in 2020, these were my thoughts.

Unexpectedly, despite the pandemic curtailing output, 2020 was an awfully good year for television. It started strong, with a half-dozen fine dramas launched in January and February, and by the time the industry shut down, enough shows were in the can that they could be sprinkled through the spring and summer months.

Unwilling Victims: notes on Christine Keeler, Deadwater Fell and Flesh and Blood

How do you stand up for women in this day and age — ordinary women — without being overlooked or ignored? I keep hearing — in this #MeToo era — how wonderful it is that we’re hearing so many female voices on television: authentic, passionate female voices. But I mostly see viewers cheering about empowerment when the heroine can punch a hole in the wall or toss a man across the room. In a recent New York Times article entitled "I Don't Want to Be the Strong Female Lead," OA creator and star Brit Marling argued that although the film and television industries — after decades of portraying women as victims and sex objects — have done a 180, the results haven’t been entirely satisfying. Instead of applauding women for the qualities that make them admirable and unique, they’re now imbuing them with traditionally male traits. Consider the new female lead, Marling wrote: “She’s an assassin, a spy, a soldier, a superhero, a C.E.O. She can make a wound compress out of a maxi pad while on the lam. She’s got MacGyver’s resourcefulness but looks better in a tank top.”

And although I see Marling’s point, I think the problem lies as much with audiences as with studios. I see a whole lot of female writers and directors fighting to bring fascinating, “ordinary” women to the screen; I even see many of them focusing on the systemic victimization of women in a way that doesn’t diminish their subjects, but elevates them instead. I just don’t see viewers paying attention.