Knots Landing season 10

It's a little hard, when looking back at Knots Landing Season 10, to separate fact from fiction. It's famously the season when the ratings increased -- something that simply didn't happen in the late '80s, in the twilight years of the once-formidable primetime soaps. Like most of its soap counterparts, Knots had been shedding viewers for years (its ratings had peaked, fittingly, during its best season, in 1983-84); since 1986, when CBS bumped it up an hour, then, recognizing its error, returned it to 10 PM, it had been eclipsed in its timeslot by NBC's L.A. Law. So the show's ratings rebound, from a 15.8 in Season 9 to a 16.1 in Season 10, was the industry equivalent of a miracle, and it prompted some heady press coverage at the time -- not just from fan magazines like Soap Opera Digest, but from mainstream publications like The Wall Street Journal. Knots Landing had bucked the trend of declining ratings; Season 10 must be one great season, right?

Knots Landing season 11

In the days before the internet and social media, there was little uproar when a good show went bad. No fanzines started ragging on it regularly; no bloggers started penning "whatever happened to" posts -- and if the ratings took a simultaneous tumble, there were no online number-crunchers wondering how long it would take before the network staged a sit-down with the showrunner. If a long-running series took a wrong turn, viewers simply waited it out. The mea culpa that Knots Landing creator David Jacobs offered up seven episodes into Season 13 was rare for the time -- an Executive Producer admitting his show had lost its way and asking for another chance -- but he had no choice but to go public: the show was shutting down production to bring in a new headwriter. Word was bound to get out. But that sort of exchange between the creative team and the audience has since become commonplace. Nowadays, a half-season of subpar episodes or sliding ratings, and the showrunner will be out talking to the fans, assuring them he's "making adjustments." Some network honcho will take to the Television Critics Association, to let them know that the situation is under control; the show will soon be "back on track."

If Season 11 of Knots Landing aired today, then midway through the season, there no doubt would be outcries from fandom about how dark and dreary the series had become, and gurus would be swift to note that its ratings had declined dramatically from the previous season. And viewers would be assured that changes were on the way. And when people, in the far future, spoke about Knots Landing Season 11, they probably would divide the season into two parts -- maybe Season 11A and 11B -- to delineate the point where it "got good again." Because the truth is, it's hard to view Knots Landing Season 11 as one season. Earlier seasons have course corrections, but they're more subtle. The one that Season 11 undergoes, two-thirds of the way through, is mammoth. A half-dozen characters added; a half-dozen characters jettisoned. Stories that seemed designed to dominate the season wrapped up without explanation; new plotlines introduced at the drop of a hat. The salvage job that showrunners and headwriters Bernard Lechowick and Lynn Marie Latham perform at the start of the third (and final) block of Knots Landing Season 11 is nothing short of amazing; it absolutely rescues the season. But perhaps as interesting as the salvage job itself is what got them there in the first place.

Knots Landing season 9

In the beginning, Knots Landing was about four married couples living in a cul-de-sac in Southern California. But as the show grew in popularity, it grew in size, and by the seventh season, there were eleven in the principal cast. The show was riding high in the ratings, so CBS happily assumed a laissez-faire attitude. But then the network got greedy: at the start of Season 8, they decided to move Knots up an hour, so they could launch a new show behind it. (It's a move that hadn't worked in Season 3, but apparently the network programmers had short memories.) So up it went to Thursday at 9 PM, where it faced off against the formidable Cheers and Night Court on NBC, and against ABC's new Dynasty spin-off, The Colbys. Knots star Joan Van Ark predicted, in a bit of pre-season forecasting, "We're gonna whoop The Colbys" -- but it was Knots that took the drubbing. Oh, it beat The Colbys, and rather handily, but it bled viewers in the process. And its absence from the 10 PM slot allowed a new NBC upstart called L.A. Law to take over and dominate the time period -- so that even when CBS admitted the error of its ways and moved Knots back to its old home, it never regained its full audience. While it was away, L.A. Law had blossomed into a hit, and Knots was relegated to runner-up in the timeslot it once owned.

And so, the following season, instead of the Knots writers being allowed to expand the cast however they saw fit, a demand came down from the network brass: trim the budget. (It was a decree imposed on all the Lorimar soaps that year, but Knots was the hardest hit. Small wonder: Dallas was down just 3% from the previous season, Falcon Crest 4%; Knots had shed nearly 15% of its viewers.) And by the time we were a third of the way into Season 9, there were just six principal cast members remaining.