Rating Richard Armitage

I discovered Richard Armitage alongside millions of other TV viewers, only ten years later. That sounds like an oxymoron, so let me explain. North & South, the miniseries that made Armitage a star, aired on BBC in 2004 and was released on DVD a year later — but I didn’t come across it until 2014. Nevertheless, it was my introduction to Armitage, and just like audiences a decade earlier, I was transfixed; I proceeded to seek out as many of his performances as I could. I’m not one to let an actor dictate my TV viewing — I tend to choose properties based on the creator and/or the premise — but Armitage is one of a handful of artists whom I determinedly follow from show to show. (Others include James Norton, Nicola Walker, Ben Whishaw and Mireille Enos.) I make a point of researching what they’re up to next, and I make a point of tuning in. I trust them to choose smart properties, and I look forward to seeing what they'll do with them.

Vicar-ious Thrills: 2014 in review

Last spring, CBS and I had an ugly break-up. You probably read about it; it made all the tabloids. First I grew disillusioned with Survivor, and quit watching after 14 years; at Entertainment Weekly, Dalton Ross called it the best cast of all-new players since the first season, but I found most of them clueless and/or odious, and where's the fun in that? (If it's clueless and odious I'm after, I'll turn on truTV.) Then Jeanne Tripplehorn was written off Criminal Minds, only to be replaced by the less talented -- but younger-skewing -- Jennifer Love Hewitt; no reason was given for Tripplehorn's departure, but her air time been shrinking for months, so you had to figure it was a network decision, dictated by the almighty demo dollar. And finally, CBS announced they were again holding Mike & Molly till midseason. You know, a loyal viewer can only take so much.